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Somerset towers
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Somerset towers : ウィキペディア英語版
Somerset towers

The Somerset towers are a collection of distinctive, mostly spireless Gothic church towers in the county of Somerset in south west England.
Where beautiful castles and church spires rise above other parts of England, the crowning glory of many Somerset towns and villages is these medieval church towers. It is largely on the basis of the Somerset towers that 52 of Simon Jenkins' "Thousand Best Churches" in England are in Somerset – trailing only the counties of Norfolk (with 65 entries) and Lincolnshire (54). Jenkins cites the towers as one of England's finest contributions to medieval art. Other authors write:
"They stand apart by reason of their style, their intricate decoration, and their great height, from which they command the low flat plains of Somerset."
"Somerset's wealth of some 90 late medieval towers, 50 of which are great designs by any standard, gives the county a unique place in the history of English art. The prosperity of the wool trade in the 15th century paid for the design and craftsmanship, displayed often in small villages, which still astonish us today."

Often built on the foundations of older Norman churches, the Perpendicular Gothic-style Somerset towers became landmarks for travelers, with their square, corner-buttressed towers typically positioned on the west side of the churches. The towers soar more than in some cases – in the case of Wells Cathedral's north tower (1440). Most of the towers house bells, and bell-ringing became a tradition still practiced in some of these English country churches. Most of the churches in this article have been designated, under the Planning (Listed Buildings and Conservation Areas) Act 1990, by English Heritage as grade I listed buildings, which is defined as encompassing those "of outstanding or national architectural or historic interest". Those that do not achieve grade I are listed as II
*, which means "particularly significant buildings of more than local interest."
The prolific construction of the towers – some started before 1360 – was typically accomplished by a master mason and a small team of itinerant masons, supplemented by local parish laborers, according to Poyntz Wright.〔 But other authors reject this model, suggesting instead that leading architects designed the parish church towers based on early examples of Perpendicular design and ornamentation developed for cathedrals – their most important commissions. Contract builders carried out the plans, adding a distinctive mix of innovative details and decorations as new designs emerged over the years.

"It is, indeed, a source of wonder that funds and skilled workmen were forthcoming in sufficient quantity to erect or rebuild so many churches within a comparatively short period. It was upon the Towers that the greatest skill of the Perpendicular builders was lavished."〔(【引用サイトリンク】title=Somerset by G.W. Wade and J.H. Wade )

==Features==

Key architectural references in the development of the Somerset towers were Gloucester Cathedral, Wells Cathedral (begun around 1180 and consecrated 1239), and Glastonbury Abbey (begun 1184) and their renovations into the 14th century. Beyond these, however, the mason-architects of the era innovated and borrowed new designs from one another, adding additional storeys and elaborating decoration wherever there was money to support it. The Reformation in the 16th century largely brought to an end the era of Somerset tower construction.
The distinctive quality of the Somerset towers derives in large part from fine decorative details – pinnacles, lacy tracery windows and bell openings, gargoyles, and beautifully adorned doors, arches, parapets, buttresses, merlons, and tall external stair turrets, for example. This icing of sculpted decoration, often made of beautifully colored stone, was hewn from soft sedimentary limestone quarried around Somerset, including Bath stone, Doulting stone (quarried near Shepton Mallet), Dundry stone, and Hamstone (from Ham Hill since Roman times). This freestone can be cut in any direction, making possible fancy curves and fine details. Unfortunately, the softness of the stone also makes it subject to weathering.〔(【引用サイトリンク】title=Parish Churches )
For the foundations and walls of the towers, blue lias – a limestone from the area – was a frequent choice, but because of the difficulty and expense of transporting stone, stone from the nearest quarries was generally used, including red sandstone, and the softer freestone from quarries at Ham Hill, Bath, Doulting, and North Curry, for example.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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